Showing posts with label enrichment. Show all posts
Showing posts with label enrichment. Show all posts

Wednesday, July 6, 2016

The Field's National Network: National Touring Exchange (pt. 2)

This spring The Field initiated its pilot Network Touring Exchange (NTE) program by sending three of our national Fieldwork facilitators on tour. Read a little about their experiences below.


Artist Chrissy Nelson traveled from Boulder, CO to Salt Lake City, UT, where, in addition to participating in a Fieldwork session, she also connected with Field facilitators Amy Caron and Maggie Willis, local artists, and dance faculty at the University of Utah.
L to R: Amy Caron, Chrissie Nelson, Kerri Hopkins
She learned how Fieldwork could fit into a larger artistic community, for example, how to run Fieldwork as a program under the umbrella of a larger artistic organization, and she was exposed to some of the smaller details of how to run Fieldwork in a simple, grass roots fashion.
Salt Lake City hosting Chrissie Nelson
Chrissy was also reminded by Amy Caron to use Fieldwork as a way to “practice” art generation, to sustain her interest and her creation, rather than feel pressure to show a new work each time.  

“Being present with the artists of another site helped me to consider new organizational AND artistic practices while also validating the work we are already doing in Boulder."

Artist Ilana Silverstein toured with her feminist punk rock dance band, Tia Nina, from Washington, DC to New York City. They participated in The Field’s 30th anniversary Fielday performance at Dixon Place, took a dance class, and explored NYC while planning their next artistic steps.
The cast of Tia Nina
 about to perform
“Taking myself out of my comfort zone in my home community stirred up so much. On a personal level, the NTE reignited my love for the grassroots community building that The Field excels at. I felt so energized by the diversity and warmth of the other artists involved in the Fielday.”
Other Tia Nina Members: Leah Curran Moon and Lisi Stoessel
Artist Amy Caron travelled from Salt Lake City, UT to Milwaukee, WI. During her time in Milwaukee, Amy taught at the University of Wisconsin-Milkwaukee, participated in a Fieldwork session, toured the city, reinvigorated her creative practice and connected closely with Milkwaukee site director, Joelle Worm.
Amy Caron
“I think this NTE opportunity in Milwaukee was successful in re-energizing my artistic practice.  As parent of a toddler, my focus on my creative practiced had diminished significantly in recent years and I was looking for a suitable opportunity to reintroduce myself to my practice and a stepping stone where I could begin actively building a new paradigm for creating work.  I think a great deal of impact from this tour experience came from my host also being an artist/mother – we were able to relate to the challenges we both face and I felt like she was truly a peer artist with similar life goals."
Joelle Worm and Amy Caron
The Field wishes to thank these brave adventurers for participating in the pilot year of of the NTE and for reminding us to reinvigorate our creative practices by: stepping outside our comfort zones; connecting with our peers (even when they are far away) and that Fieldwork is a great place to practice art generation.

If you are interested in learning more about these Fieldwork facilitators read part 1 of the National Touring Exchange blog here. If you are interested in learning more about the Field Network or starting a Network site in your city click here.
National Touring Exchange is funded by the

Wednesday, December 10, 2014

Make artWORK: How to Survive in NYC as an Artist

By Liza Green and Claire Baum


This November we were invited to do a life and career guidance seminar for Barnard College dance students as part of the Dancer Empowerment Project. Our task was to take the (slightly daunting) topic of “How to Survive in NYC as an Artist” and make it manageable for these soon-to-be college graduates to have a career in the arts. The ninety-minute workshop aimed  to provide these young artists with useful tools, skills, and resources to help them jumpstart their careers. Hosted by Gibney Dance, we opened the workshop to the public and ended up with a fierce group of early to mid-career dance and theatre makers.

We broke down this large question of “How to Survive in NYC as an Artist,” into four main categories:
  1. Finance;
  2. Relationships;
  3. Marketing and;
  4. Enrichment/Training.


Because of the impending Thanksgiving holiday, we naturally asked them to draw a hand turkey, like the ones we made in grade school, on a piece of construction paper. The “feathers” on the turkey provided space for the four points of our lives as art makers We asked them to dress up their turkeys however they liked, beaks, tap shoes, etc. and to put their name and their artistic discipline/role in the center. For example, the center of Claire’s turkey read “Claire Baum, Dancer, Choreographer.”
Below is a condensed version of the topics we covered on our turkeys, complete with helpful tips and links to even more resources.


FEATHER 1: FINANCE

Finance can simply be broken down into earning and spending. Artists typically earn their income in three different ways: earning money from their art, having a flexible day/night job (i.e. babysitting, bartending, temping, etc), or by having what we’ve coined a “co-career,” meaning a job that is not exactly your art, but feeds your artistic practice (i.e. teaching artist, arts management, graphic design, etc.). When assessing how you are going to earn your living, here are a few key points to think about:
  • Weigh your values with your needs. How much will you need to earn to not only meet your basic living expenses (rent, food, transportation, etc.), but to also address expenses linked to your values (eating out with friends, taking classes, seeing shows, etc).
  • Earning money from your art is possible. Samples of this income might include: artist stipends, rehearsal pay and/or performer stipends. In addition, you may want to find a fiscal sponsor (like The Field) so that you can apply for grants, create crowdfunding campaigns, and write appeal letters asking others to help fund your creative work.


The flipside of earning is spending. Spending is easy for many people, but managing the spending is harder. Here are a some helpful tips:
  • Create a spending diary to help manage your spending. Over the course of the month write down every item you spend money on. Label expenses “personal” or “professional.”  
  • Use your spending diary to assess your spending habits so that you can adjust accordingly to meet your goals.
  • Continue tracking your spending with a budgeting app like Mint or Budgt.
  • If you have expenses that are falling in the “professional” column and you are producing your own work, open a new account to keep your art and personal expenses separate. Budgeting for your projects is similar to budgeting for your life.


FEATHER 2: RELATIONSHIPS

Building solid relationships is crucial for artists. Not only do relationships help you create balance and personal fulfillment, but your friends, family, and colleagues often become your first audience members and donors. Here are some tips on how to cultivate relationships:
  • Make a list of who you want to work with/what organizations you want to work for or get involved with (i.e. volunteering at a benefit, ushering for a show, or doing workstudy in exchange for classes, etc.)
  • If there is a person you want to get to know, or a position you want to know more about, we recommend asking that person for either an informational interview or just for cup of coffee. Be attentive, ready to listen, and able to about talk yourself in a clear succinct way (click here for more resources on how to talk about your work).
  • Thank yous, updates,and reminders can also be a great way to stay on peoples’ radar. Sending a reminder the day before your meeting tells the person you are on top of your game and sending a simple thank you note or email after a meeting keeps you in that person's thoughts longer. And be sure to add personal notes to your follow-up correspondence (a handwritten note can go a long way these days).
  • It is also really great to able to talk about something other than your field. It could be that you and the person you are having coffee with have more in common than just your art, and those connections go a long way both professionally and personally.


FEATHER 3: MARKETING

Being an artist means putting yourself in the public sphere and marketing yourself as well as the work you create. Creating a brand this way can be tricky. In the age of social media, we recommend being careful with what you broadcast on Facebook and other media. Here are some key ways to make your marketing materials work for you:
  • Start by creating a website. A few very easy to use website builders are Wix, Wordpress, and Squarespace. Be sure to buy your domain name. We also recommend buying your own name as a domain name as well, even if you are not going to use it.
  • Create a strong social media presence. If you don’t want your personal facebook and professional facebook getting mixed up, you can create a page for your art, or even create a whole separate account. If you start Twitter and Instagram accounts, be sure to stay active. Using a platform like Hootsuite can help you schedule all of your social media posts.
  • Thinking of starting a blog? The key to keeping a blog is keeping it up. Create a schedule and stick to it (i.e. post once a month, once a week, etc.)
  • Use a cost effective service like Vistaprint or find a local printer for business cards and postcards.
  • Work samples are also incredibly important for grant or showcase applications and your web presence. Photo and video work can quickly and succinctly tell your viewer what your work is about. We recognize that producing this type of media can get expensive so we recommend using skill trading sites to help produce high quality work samples while keeping costs down (try Our Goods or The Artsy Yenta).


FEATHER 4: ENRICHMENT and TRAINING

Building a balanced life between your artist self and personal self is what enrichment and training is about. What it really comes down to is an assessment of your values, and how these play out in each aspect of your personal and professional life. Some ways that you work towards balance may include:
  • Continuing to take classes attend festivals, and workshops for your field. See shows, performances, and visit museums and galleries. Consider seeing work that is outside your field for inspiration.
  • Take care of your body. It is your instrument. This care could include cross training, cycling, running, yoga, pilates or massage. And don’t forget about health insurance. We suggest looking at Healthcare.gov, Oscar insurance, and The Freelancers Union to get a plan or shop for a better one.
  • If community engagement or spirituality is important to you, allow for time in your schedule to participate.


GOAL SETTING
Once our turkey feathers were filled in, we asked these brave artists to set a three-year goal and a one-to-three month goal for the feather they felt was most challenging. The participants collaborated in pairs to come up with 3 realistic action steps for each one of their goals. You can do this for each of the 4 points we have covered in this blog. If keeping your turkey with your action steps on your fridge is a good reminder for you, then do it! If you’re more technically minded, make a spreadsheet that you can look at and update to check in on your goals and action steps. Ask a friend or collaborator to help you create action steps for your goals. They may have ideas you never would have thought of and bringing them into your goal-setting process will keep you on task. And finally, remember to make this kind of dreaming and planning fun!


Thanks to all of the artists who participated in the workshop. And best of luck with those action steps.