Showing posts with label collaborations. Show all posts
Showing posts with label collaborations. Show all posts

Wednesday, October 2, 2019

October 2019 Meet Our Artists: Maud Hixson

Our Members, Fiscally Sponsored Artists, and other program participants represent a wide range of career stages and disciplines. We love them - and, as fellow artists, we're always inspired by them. With this monthly feature, we hope you'll feel the same way!


Name, Pronouns:  Maud Hixson, she/her/hers

What inspires you?  Great songs, ranging from the classic Great American Songbook to the often unsung or forgotten compositions awaiting rediscovery.

What are you proud of?  Being a full-time artist!

What are your goals?  To be an ambassador for the wild country of lesser-known songs.

Maud Hixson with Rex Reed and performers at Jazz at Lincoln Center in a tribute to Sylvia Syms. Photo by Ann Hampton Callaway. (Original photo, above, by Olivia Wilcox.)
Do you have any advice for your fellow artists?  Yes, I feel it's important to listen to your instincts, regardless of your experience. Your senses and your own taste will be unique guides. Starting out, I tended to discount these valuable tools, which I now realize was a mistake.

How does The Field help you?  By leveling the fundraising playing field. I have never been in a position to offer my supporters tax-deductible status for their donations before. Working with The Field puts me on the same page with every nonprofit seeking donations.

To join The Field community and become eligible for a "Meet Our Artists" feature, sign up for a membership and join our mailing list for program updates!

Wednesday, July 6, 2016

The Field's National Network: National Touring Exchange (pt. 2)

This spring The Field initiated its pilot Network Touring Exchange (NTE) program by sending three of our national Fieldwork facilitators on tour. Read a little about their experiences below.


Artist Chrissy Nelson traveled from Boulder, CO to Salt Lake City, UT, where, in addition to participating in a Fieldwork session, she also connected with Field facilitators Amy Caron and Maggie Willis, local artists, and dance faculty at the University of Utah.
L to R: Amy Caron, Chrissie Nelson, Kerri Hopkins
She learned how Fieldwork could fit into a larger artistic community, for example, how to run Fieldwork as a program under the umbrella of a larger artistic organization, and she was exposed to some of the smaller details of how to run Fieldwork in a simple, grass roots fashion.
Salt Lake City hosting Chrissie Nelson
Chrissy was also reminded by Amy Caron to use Fieldwork as a way to “practice” art generation, to sustain her interest and her creation, rather than feel pressure to show a new work each time.  

“Being present with the artists of another site helped me to consider new organizational AND artistic practices while also validating the work we are already doing in Boulder."

Artist Ilana Silverstein toured with her feminist punk rock dance band, Tia Nina, from Washington, DC to New York City. They participated in The Field’s 30th anniversary Fielday performance at Dixon Place, took a dance class, and explored NYC while planning their next artistic steps.
The cast of Tia Nina
 about to perform
“Taking myself out of my comfort zone in my home community stirred up so much. On a personal level, the NTE reignited my love for the grassroots community building that The Field excels at. I felt so energized by the diversity and warmth of the other artists involved in the Fielday.”
Other Tia Nina Members: Leah Curran Moon and Lisi Stoessel
Artist Amy Caron travelled from Salt Lake City, UT to Milwaukee, WI. During her time in Milwaukee, Amy taught at the University of Wisconsin-Milkwaukee, participated in a Fieldwork session, toured the city, reinvigorated her creative practice and connected closely with Milkwaukee site director, Joelle Worm.
Amy Caron
“I think this NTE opportunity in Milwaukee was successful in re-energizing my artistic practice.  As parent of a toddler, my focus on my creative practiced had diminished significantly in recent years and I was looking for a suitable opportunity to reintroduce myself to my practice and a stepping stone where I could begin actively building a new paradigm for creating work.  I think a great deal of impact from this tour experience came from my host also being an artist/mother – we were able to relate to the challenges we both face and I felt like she was truly a peer artist with similar life goals."
Joelle Worm and Amy Caron
The Field wishes to thank these brave adventurers for participating in the pilot year of of the NTE and for reminding us to reinvigorate our creative practices by: stepping outside our comfort zones; connecting with our peers (even when they are far away) and that Fieldwork is a great place to practice art generation.

If you are interested in learning more about these Fieldwork facilitators read part 1 of the National Touring Exchange blog here. If you are interested in learning more about the Field Network or starting a Network site in your city click here.
National Touring Exchange is funded by the

Tuesday, August 4, 2015

Deepening Our Roots: Capacity Building Cross-Country

By: Ilana Silverstein, Field Network Manager

With generous support from the National Endowment for the Arts, the The Field Network convened for our Annual Field Network Conference in Washington, DC last April and, shortly thereafter, for a new network capacity building initiative.  In May, Joelle Worm (The Field/Milwaukee) and I flew to Boulder to meet Chrissy Nelson (The Field/Boulder) for a 48 hour Capacity Building Meeting.  Our goal was to build the Boulder and Milwaukee Field sites by sharing best practices in fundraising, community building, and facilitation.

Of the many takeaways from the weekend, here’s three:

Back Up is the Best  On the Saturday night of the site visit, we gathered some local artists for a happy hour.  We promoted the event as an evening of mingling, mapping, and the de-Mystification of peer to peerfeedback. I sensed that Chrissy was nervous that no one would come. There were other popular arts events happening that evening and only a few people had RSVP’d.  But then, her energy shifted because she realized that she had us. Having 2 colleagues as back up, gave the work validation, felt less isolating (she was reminded of the larger community that she is a part of), and made hosting the event not as scary. And, people did come, and had a great time!

Post-Feedback Shout Outs  During our session on facilitation, one of the topics discussed was how to help artists apply feedback.  The three of us, along with James Scruggs (via conference call) developed a structure to make sure artists are getting the feedback that they need. After Fieldwork, the facilitator invites the artists to say one thing they heard that they are going to go back and use or a recent “aha moment” in making the work. By saying these observations out loud, the artist may be more likely to apply them as she or he continues in the creative process.  I look forward to trying this out in Fieldwork this Fall. 

Collaboration and Fieldwork Workshop  One of The Field/DC's dreams is to host a workshop on collaboration.  We find that artists come to Fieldwork wanting to collaborate but do not know how to initiate that relationship.  Chrissy shared a structure for a successful 2-hour collaboration workshop that she organized in Boulder.  I hope to produce a similar workshop in DC and tie in some Fieldwork basics.  

Just as arts residencies provide artists with time away from family/home for diving into the creative process, this site visit gave us the opportunity to focus and look critically at our sites’ organizational development.

In 48 hours we:
-   Strategized how to share the work load of running a site with our colleagues
-   Connected with local artists
-   Brushed up on facilitation skills
-   Brainstormed how to support and be supported by our kindred spirits, The Field Network.

The timing of the visit was perfect.  Joelle, Chrissy and I had recently connected at the conference and were able to draw on the inspiration we had felt from the guest speakers and other colleagues there.  Working as a cluster of three seemed just right.  We were effective in getting work done, as well as nurturing our artist-selves (desperately needed as site-leaders). 


In planning this capacity building initiative, Jennifer Wright Cook, Susan Oetgen and I had considered a web-based convening, but I am so grateful that we didn’t go that route.  Meeting face-to-face was key.  Being in the presence of other Fieldwork lovers is a tremendous gift.  There is a heightened sense of investment and listening among us whether we are engaging in Fieldwork or not.  

By tapping into The Field Network, anyone can find these individuals across the United States and Europe - from Boulder to Berlin!


To learn more about The Field Network, Fieldwork, or connect with the Washington, DC arts community, email me, at dc@thefield.org