Showing posts with label Fielday. Show all posts
Showing posts with label Fielday. Show all posts

Monday, June 17, 2019

June 2019 Meet Our Artists: Nicky Sunshine

Our Members, Fiscally Sponsored Artists, and other program participants represent a wide range of career stages and disciplines. We love them - and, as fellow artists, we're always inspired by them. With this monthly feature, we hope you'll feel the same way!


What inspires you? I'm inspired by socially and economically challenged communities. My mission in my art and comedy is to uplift others. My current solo work seeks to raise awareness about police harassment, sexual assault, sexual exploitation, and the complexities of sex work.

What are you proud of? Despite the low pay and often unfavorable working conditions, I have been a professional stand-up comic since 2005. I have performed at Caroline's, Gotham Comedy Club, The Apollo, and The Laugh Factory. As an artist I suffered from low self-esteem and low wages. I embarked on a 10-year period of sex work. I went to jail, struggled with bouts of binge drinking, and found myself in a toxic, manipulative relationship with a married man. I was able to emerge from this chapter in my life and start writing a one-woman show, "Confessions of a Massage Parlor Madam." I want to use my show to encourage others to never give up on their hopes and dreams.

As an actor with a security clearance, I helped train government managers and National Institute of Health employees for 15 years. After working through my childhood traumas and emotional blocks on the FYI Network reality show, A Question of Love, my boyfriend and I will wed in June 2019.

What are your goals? To use stand-up comedy, theater, improv, and writing workshops to educate, reduce harm, and spark conversations about issues affecting my community. Low self-esteem, negative child conditioning, abuse, exploitation, homelessness, lack of resources, and lack of familial ties are contributing factors in why someone would engage in commercial sex. It is dangerous work.

My show/true life story "Confessions of a Massage Parlor Madam" addresses these issues. Nobody is perfect. We all make mistakes and it’s never too late for a second chance. Incarcerated individuals, people in recovery, women who have suffered abuse, and the homeless need to hear this positive message: It’s never too late to pursue who you want to be. Never Give Up. My art is a reflection of my life and I won't stop creating despite my setbacks and personal demons.

Do you have any advice for your fellow artists? I wish someone had explained the importance of "attitude." Rejection is inevitable. Rejection shut me down and made me feel bad about myself. It’s a part of the artistic journey. So is criticism. It’s important to have a resilient attitude.

I wish I had understood the power of networking. Entertainment is about relationships. Focus and consistency is important. In my younger years I wasn't focused enough. Professional relationships can mean so much. I wish someone told me that. I isolated myself and should have had a buddy system with a fellow artist. We could've encouraged each other. Instead I operated in darkness choosing fast money over pursuing my art.

I wish someone told me to work on my confidence and self-esteem. I wish someone told me that substances and alcohol would ultimately do more harm than good.

How did you find The Field? I joined Wow Cafe Theater. The community there is very encouraging. We exchange a lot of information. A fellow member told me about The Field.

Note: Since joining The Field, Nicky Sunshine was invited to perform an excerpt of "Confessions of a Massage Parlor Madam" for our Fielday 2019 Work-in-Progress Showcase on June 15. Learn more about this special event.
 
©Nicky Sunshine

To join The Field community and become eligible for a "Meet Our Artists" feature, sign up for a membership and join our mailing list for program updates!
 


Thursday, May 23, 2019

May 2019 Meet Our Artists: Autumn Kioti

Our Members, Fiscally Sponsored Artists, and other program participants represent a wide range of career stages and disciplines. We love them - and, as fellow artists, we're always inspired by them. With this monthly feature, we hope you'll feel the same way!


Name: Autumn Kioti
Interdisciplinary Performance Artist + Fielday 2018 Performer

What inspires you?
My artistic practice is a quest for community. Plugging into my surroundings, to others, across disciplines, across gender, nationality, ethnicity, sexuality, and species. I seek to repurpose mundane items, or use items sustainably harvested from nature to foster a more immediate connection to the earth and tap into the universal spark that binds us all.

I scavenge bits of everything – from history and lore, science and mathematics, to David Attenborough animal documentaries – in the creation of writing, performance, works on homemade paper and Mylar, and installation. I use everything I can get my hands on in an effort to address societal and environmental issues in general, and trafficking in identity and connectivity in particular.

Playing with the notion of craft, conventionally considered "women's work," my work often incorporates weaving, knitting, embroidery, and food preparation, taking it in unexpected directions. In choosing to create moments that are site specific, re-purposing mundane scavenged objects, using urgent movement, mask, and costume; I seek to create a dialogue about our place, about what immobilizes us, tangles us up, throws us forward, and breaks us down. I like the surprises and the accidents, the failures and successes, the story, the connection.


What are you proud of?
Still being alive today to create work despite battling mental illness, and being able to hopefully offer myself and my work a conduit for others to release their pain and trauma, and maybe together we can lead each other out of isolation.


What are your goals?
My goal is to journey, to seek, to experience, to tell stories, to collect stories, to create a web of connection and release for myself and others through my work wherever I go.

Any advice for fellow artists?
You're not doing it wrong if nobody knows what you're doing.

How does The Field help you?
I was brought here by my incredible experience with the 2018 revival of Fielday. I've never been involved with a more supportive collection of artists.



Workshop photos from artist’s Santa Fe Art Institute themed residency, FOOD JUSTICE.
© Autumn Kioti

Additional Viewing:
See Autumn and our other Fielday 2018 artists in this trailer.

To join The Field community and become eligible for a "Meet Our Artists" feature, sign up for a membership and join our mailing list for program updates!
 

Friday, March 8, 2019

March 2019 Meet Our Artists: Michele Carlo

Our Members, Fiscally Sponsored Artists, and other program participants represent a wide range of career stages and disciplines. We love them - and, as fellow artists, we're always inspired by them. With this monthly feature, we hope you'll feel the same way!

MICHELE CARLO Writer (Fish out of Agua), Storyteller, Solo Performer, Podcast Host, Filmmaker, Fielday 2018 Artist

Name: Michele Carlo

What do you do? 
Writer, Storyteller, Solo Performer, Podcast Host, Filmmaker

What inspires you?
The hope that through my writing and experiences, someone's life may be made a little easier. And the hope that I will beat the odds and be a fully realized, self-supporting artist—even though most people would think I'm way too old to think it can still happen—so a fellow "shadow artist" who has been living on the periphery their entire life will say, "Pfft, if she could do it, I could do it." And do it better!

What are you proud of?
I'm proud that I achieved my dream of getting into the School of Visual Arts at the age of 20...the age most students choose their final major. That I chose to give my life to art at the age of 35...the age most (arguably sane) people give up. That I had my first book published at the age of 50. That in the years since then, my stories have taken me across the country and have brought much friendship and collaboration in my life.

I'm proud that I never, ever stopped doing some sort of art, even when I was working 50-60 hours a week at a day job. I'm also proud that I'm not taking my recent job layoff with fear, but with the certainty that an opportunity will come my way that I could not accept had I still been working full time.

Michele on the air photo by Ben Taylor

What are your goals?
Overall goals: To be a champion and archivist of my working class Latinx experience from the mid-20th to mid-21st Centuries (should I be as fortunate to live to the mid-21st). To make sure the world has the stories of those of us who have been devalued, dismissed and discarded. To let them know who we are and why we matter. And maybe, in my own small way, help to change the default perception of what it is to be Latinx—and an artist.

Personal goals: Having a run of a solo show at the Public Theater—or any legit off-Broadway house, really, but appearing the Public has always been a special dream of mine. To have my book, "Fish Out Of Agua," be optioned for film and/or television—and made! To be a fully realized self-supporting artist doing interesting, honorable (and well-paid) projects with interesting, honorable people!

One more: I hope that someday this girl from a top-floor tenement walkup in The Bronx will own a bit of comfortable living/studio space where I can hold performer salons, and with a backyard big enough for a small garden and a table for 12. Whoever's there at 7pm, will eat.

Michele as teddy bear photo by David Dyte
Do you have any advice for your fellow artists?
Don't give up! Never give up! We all have a unique voice to offer and if you don't get your art, whatever it is, out into the world, the world will not have it and that would be a great loss for all.


Additional Viewing:

Tuesday, May 1, 2018

May 2018 Meet Our Artists: Anabella Lenzu

Our Members, Fiscally Sponsored Artists, and other program participants represent a wide range of career stages and disciplines. We love them - and, as fellow artists, we're always inspired by them. With our monthly "Meet Our Artists" feature, we hope you'll feel the same way!




Name:
Anabella Lenzu

What do you do?
Choreographer, dancer, teacher, writer, and artistic director of Anabella Lenzu/DanceDrama (ALDD)
What inspires you?
My work reflects my experience as a Latina/European artist living in New York, and comes from a deep examination of my motivations as a woman, mother, and immigrant.

What are you proud of?
I have had cultural, economic, and social difficulties in my career as a teacher and choreographer, but I have always risen above them by thinking and reflecting on my role as one of service to dance, to art, to my community, and to my people.
My impulse to learn, my need to see the world, and my desire to gain insight into this life and the next have led me to travel, teach, and share my experiences and my culture with others. I feel privileged and blessed to have been able to make a living as a choreographer, dancer, and teacher in Argentina, Chile, Italy, the United States, and the world.

Do you have any advice for your fellow artists?
As dancers with years of training, we know how we appear externally, how the audience sees and perceives us. We have built our internal framework, the skeleton of our artistic selves, and just as we built the house, we must furnish the interiors.
I reached my physical and mental limits many times. I suffered from bulimia and panic attacks, but I overcame them through my family’s patience and guidance, and by listening to myself, confronting myself in the mirror, closing my eyes and cultivating an internal self-image.
This is my dance training, and I apply it to all areas of my life. Through constant, persistent work, we form an umbilical cord – a connection – between the darkness and the light.

How does The Field help you?
I met Steve Gross (one of the founders of The Field) in 1999, when I did not speak English. I took ALL the workshops they offered in Grant Writing, Development, Marketing, Pitching, etc. I participated in Fieldwork at least 10 times and learned how to give honest and precise feedback to my peers (in English).
The Field gave me the foundation to understand how a private/nonprofit dance company functions, preparing me to create ALDD.

Click to enlarge images. All photos by Todd Carroll.
Additional Viewing:
Sangre y Arena (Blood and Sand) by Anabelle Lenzu

To join The Field community and become eligible for a "Meet Our Artists" feature, sign up for a membership and join our mailing list for program updates!